The styling of the Cadillac XLR is distinctive and controversial.
Some people like the sharp styling, some people hate it.
Most people like it. We like it. It's unique
with a cause, which is difficult to achieve and reason enough
to like it. It's an in-your-face kind of grace.
We especially like how it looks when the hardtop
is up. Very cool, chopped, and suggesting a hot rod, with
a steeply raked rear window and lots of angles like the
rest of the car. The top is made of aluminum and magnesium
with composite panels, and contributes to the structural
rigidity of the car. The
Mercedes-Benz SL roadster has a similar top but it's rounded at the edges
and doesn't do for the Benz what this top does for the XLR.
It adds power to the aura of the car, erases the top-down
gentrification.
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Four wide exhaust tips, pointing out from under the
center of the rear bumper like the tips of two big double-barreled
shotguns, add to the statement of power. We think they could
and should have done something different with the wheels,
though: 18-inch, mirror-polished alloy, a seven-spoke wagon-wheel
design. They are the same wheels available on the
CTS sedan and
SRX crossover SUV. The XLR ought to have its own wheels. Actually,
the special wheels on the V8 CTS-V are what the XLR needs.
The shape and silhouette of the XLR works, but if you
take it apart the elements suggest it was designed by two
people with clashing ideas because the details seem incongruous
if you study the shapes for a while. The bright and bold
egg-crate grille announces the flow of the styling, and
the headlamps wrap around
the corners; they touch front, top, and sides. The front
bumper / airdam is massive, and extends like an underbite
but not conspicuously. The rectangular foglights don't seem
to take part in the styling, and the long horizontal opening
in the air dam is just big and just there.
The sides are blessedly smooth, and the wheel cutouts
are full with the fenders flared just enough. The XLR is
low and wide, and the wheels are a big 18 inches, so this
looks hot. The rocker panel bodywork, a composite plastic,
like the rest of the body, is sharp but tidy, while the
mirrors are bulky. The high angularity of the tail
perfectly complements the shape, but the big pseudo carbon-fiber
box around the license plate, also containing the backup
lights, mostly messes it up. But the four cool exhaust pipes
almost redeem it. They draw the eye, at least.